![]() ![]() The title music is reprised as a global theme in the soundtracks for the series. The title theme ends with a combination of dulcimer and kantele, producing a "shimmery quality" in its sound that Djawadi thought would give a sense of mystery and anticipation for the episode. The next section introduces a change in melody, described by Djawadi as giving "a sense of adventure", and continues with a repeat that involves a choir of twenty female voices - recorded in Prague, like the instrumental parts. The melody is then repeated with the entire orchestra. So even though the majority of the piece is in minor, there's that little hint of major in there where it kinda switches and then it changes back again." The main melody is then introduced with the cello, joined later by a solo violin that may suggest an interplay between different characters. I thought it would be cool to kinda do the same play with the music. ![]() ![]() Djawadi said that he wanted to reflect the "backstabbing and conspiracy" and the unpredictability of the show: ". The tune begins with the riff played on strings in a minor key, then changed to a major key after 2 bars, and back to minor again. ĭjawadi started with a riff and he built the title theme around the riff. Cello is featured strongly as Benioff and Weiss wanted to avoid the flutes or solo vocals found in many other productions in the fantasy genre so as to give the show a distinctive sound, and Djawadi chose cello as the main instrument for the music as he thought it has a "darker sound" that suited the show. ĭjawadi said he intended to capture the overall impression of the show with the theme tune. The finished theme music was presented to the producer three days later. He said that he started humming what would become the theme tune in the car after seeing the visuals for the title sequence, and conceived of the idea for the theme on the drive back to his studio. After Djawadi was shown a preliminary animated Game of Thrones title sequence that the visual effect artists were still working on, he was inspired to write the piece. According to Djawadi, the show creators wanted the main title theme to be about a journey as there are many locations and characters in the show and the narrative involves much traveling. Weiss sent him, and discussed the concepts of the show with them. Ramin Djawadi began composing the music for the show after he had watched the first two episodes of the series that the showrunners David Benioff and D. Composition Ramin Djawadi is the composer of the Game of Thrones score. The Game of Thrones theme is used for House of the Dragon starting in the second episode. Several artists have covered or parodied the music, sometimes adding lyrics to the originally instrumental work. Djawadi was shown a preliminary rendering of the title sequence before composing this music to accompany it. The piece begins in a minor key, then switches between corresponding major and minor keys repeatedly. Weiss approached him requesting a theme.Īsked to avoid flutes and solo vocals, which the producers felt were overused in fantasy themes, Djawadi used the cello as the lead instrument. It was composed by Ramin Djawadi in 2011, after series creator David Benioff and D. " Game of Thrones Theme", also referred to as " Game of Thrones Main Title Theme", is the theme music of HBO's fantasy television series Game of Thrones and its prequel House of the Dragon, and plays during the title sequences to both shows.
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